Radio

What would it take to build your company's first synthetic employee? What AI models could you use? How much data will it require? What about compute power? Electricity? Technical resources? Security? Legal? Risk? Ethics? Is the idea simply too crazy to think about now? Should you just wait until someone invents artificial general intelligence (AGI)? Continue Reading →

Technology is meaningless unless it changes the way we behave. So far, I’ve found some super interesting new tech that I will write about after the embargoes are lifted and CES is officially underway. Continue Reading →

I just started working on a vast music project that is screaming to be done in partnership with an AI co-arranger, co-orchestrator, co-audio engineer, co-musician(s), co-producer, along with fully automated mixing, mastering, and packaging for distribution. Do all of these functions exist in one AI platform? Here's a list of notable AI music generators: Continue Reading →

Meta AI has introduced AudioCraft, a text-to-music AI model that does an impressive job of composing, arranging, orchestrating, and playing in a wide range of musical styles. Not only can it create or mimic a melody, but it also engineers and produces fully finished work, some of which is already suitable for commercial use – and this is only V1. Imagine where the state-of-the-art will be a year from now. Continue Reading →

In a stunning display of AI prowess, Meta AI has introduced AudioCraft, a single-stop code base that does an impressive job of composing, arranging, orchestrating, producing and playing music. AudioCraft is not just an AI that can mimic a melody. It's a sophisticated system that can create music, sound effects, and even handle audio compression. Continue Reading →

Welcome to the brave new world of generative AI, where the machines are no longer just number crunchers, they’re word crunchers, image crunchers, audio and video crunchers. But here’s the catch: If we’re to ride the wave of this technological revolution, we need to rethink not just the tools we use, but also how we use them. Continue Reading →

The verdict is in. Ed Sheeran's 2014 hit, "Thinking Out Loud," did not infringe on Marvin Gaye's and Ed Townsend's 1973 hit, "Let's Get It On." As I will explain in a moment, from a musical standpoint, this was the only possible outcome. The copyright laws were applied as expected, and human composers in the United States are free to compose as they have been doing for centuries. But what about AI? Is it free to compose? Let's explore. Continue Reading →

Chat interfaces for GPT-4 may soon take a backseat to a new approach: autonomous agents. Emerging versions such as AutoGPT, BabyAGI, and the no-code GodMode promise a simplified user experience by focusing on achieving user goals with minimal input. Although it's still early days, autonomous agents are poised to revolutionize how we interact with technology and each other. Continue Reading →

As we approach the 2023 NAB Show Centennial, a global gathering for broadcast, media, and entertainment professionals, I find myself reflecting on the monumental transformations the industry has experienced over the past century. Continue Reading →

Synthetic media, sometimes referred to as "deepfake" technology, is the use of AI and machine learning to generate realistic, digital media such as images, videos, and audio. This technology is already revolutionizing the creative process as both artists and artisans conscript AI-coworkers for production assistance. But in the coming months, we are likely to see this technology evolve into Generative Synthetic Media (GSM) which we will define (for this essay) as data-driven synthetic media (created in near real time and surfaced in place of traditional media). When fully achieved, GSM will revolutionize human communication. This is a bold claim, so it requires bold evidence. Let's review. Continue Reading →