Production

Meta AI has introduced AudioCraft, a text-to-music AI model that does an impressive job of composing, arranging, orchestrating, and playing in a wide range of musical styles. Not only can it create or mimic a melody, but it also engineers and produces fully finished work, some of which is already suitable for commercial use – and this is only V1. Imagine where the state-of-the-art will be a year from now. Continue Reading →

In a stunning display of AI prowess, Meta AI has introduced AudioCraft, a single-stop code base that does an impressive job of composing, arranging, orchestrating, producing and playing music. AudioCraft is not just an AI that can mimic a melody. It's a sophisticated system that can create music, sound effects, and even handle audio compression. Continue Reading →

Can you name the three most famous Impressionist artists? Or describe the color palette and techniques that define Color Field Painting or Naive Art? Your ability to answer these questions will have a big impact on your experience with text-to-image generators like Midjourney. But what if you haven’t been to art school or spent years studying art history? Continue Reading →

Large Language Models (LLMs) are transforming the way we interact with technology. These models, developed by leading tech companies such as OpenAI, Replicate, Cohere, Hugging Face, and Anthropic, to name a few, are pushing the boundaries of what's possible in natural language processing. Here's a short overview of the most popular LLMs from these companies, exploring their unique capabilities and best use cases. Continue Reading →

Welcome to the brave new world of generative AI, where the machines are no longer just number crunchers, they’re word crunchers, image crunchers, audio and video crunchers. But here’s the catch: If we’re to ride the wave of this technological revolution, we need to rethink not just the tools we use, but also how we use them. Continue Reading →

This week marks the 25th anniversary of the premiere of “Anthem,” a modern dance I composed for the Parsons Dance Company. It opened at City Center in New York City on May 5, 1998. I conducted the London Symphony Orchestra for the performance. Continue Reading →

Chat interfaces for GPT-4 may soon take a backseat to a new approach: autonomous agents. Emerging versions such as AutoGPT, BabyAGI, and the no-code GodMode promise a simplified user experience by focusing on achieving user goals with minimal input. Although it's still early days, autonomous agents are poised to revolutionize how we interact with technology and each other. Continue Reading →

As we approach the 2023 NAB Show Centennial, a global gathering for broadcast, media, and entertainment professionals, I find myself reflecting on the monumental transformations the industry has experienced over the past century. Continue Reading →

Is artificial intelligence here to help me... or take my job? Shelly Palmer speaks with Vanessa Yurkevich on CNN about whether you should be worried, where artificial intelligence is already being used in the workforce, and lessons we can learn from I, Robot. Continue Reading →

Synthetic media, sometimes referred to as "deepfake" technology, is the use of AI and machine learning to generate realistic, digital media such as images, videos, and audio. This technology is already revolutionizing the creative process as both artists and artisans conscript AI-coworkers for production assistance. But in the coming months, we are likely to see this technology evolve into Generative Synthetic Media (GSM) which we will define (for this essay) as data-driven synthetic media (created in near real time and surfaced in place of traditional media). When fully achieved, GSM will revolutionize human communication. This is a bold claim, so it requires bold evidence. Let's review. Continue Reading →