Production

This week marks the 25th anniversary of the premiere of “Anthem,” a modern dance I composed for the Parsons Dance Company. It opened at City Center in New York City on May 5, 1998. I conducted the London Symphony Orchestra for the performance. Continue Reading →

The verdict is in. Ed Sheeran's 2014 hit, "Thinking Out Loud," did not infringe on Marvin Gaye's and Ed Townsend's 1973 hit, "Let's Get It On." As I will explain in a moment, from a musical standpoint, this was the only possible outcome. The copyright laws were applied as expected, and human composers in the United States are free to compose as they have been doing for centuries. But what about AI? Is it free to compose? Let's explore. Continue Reading →

Chat interfaces for GPT-4 may soon take a backseat to a new approach: autonomous agents. Emerging versions such as AutoGPT, BabyAGI, and the no-code GodMode promise a simplified user experience by focusing on achieving user goals with minimal input. Although it's still early days, autonomous agents are poised to revolutionize how we interact with technology and each other. Continue Reading →

As we approach the 2023 NAB Show Centennial, a global gathering for broadcast, media, and entertainment professionals, I find myself reflecting on the monumental transformations the industry has experienced over the past century. Continue Reading →

Is artificial intelligence here to help me... or take my job? Shelly Palmer speaks with Vanessa Yurkevich on CNN about whether you should be worried, where artificial intelligence is already being used in the workforce, and lessons we can learn from I, Robot. Continue Reading →

Synthetic media, sometimes referred to as "deepfake" technology, is the use of AI and machine learning to generate realistic, digital media such as images, videos, and audio. This technology is already revolutionizing the creative process as both artists and artisans conscript AI-coworkers for production assistance. But in the coming months, we are likely to see this technology evolve into Generative Synthetic Media (GSM) which we will define (for this essay) as data-driven synthetic media (created in near real time and surfaced in place of traditional media). When fully achieved, GSM will revolutionize human communication. This is a bold claim, so it requires bold evidence. Let's review. Continue Reading →

I have two slides at the end of most of my presentations. One is my investible theses for the upcoming year and the other is stuff that has my attention. As we head into 2023, I thought it might be fun to look at a deck from 2018 and see if I got any of it right five years ago. I'll let you be the judge. Continue Reading →

If you haven't already uploaded your 10-to-20 selfies to Lensa and let it turn you into a superhero, or a rock star, or an astronaut, you should give it a try. It's fun, but it's also instructive. You'll learn about the type and quality of inputs generative AI needs in order to obtain satisfactory results, and you'll experience the workflow and process of consumer-grade generative AI. But most importantly, when the model transforms you into a mystical creature in a cosmic setting, or an anime character, or a cyborg, you will find yourself asking one question: How far can this technology go? Continue Reading →

Let's imagine the fan experience of the future. If there were no technological or financial restrictions, how would you want to attend a sporting event or a concert? What will "attending" evolve to mean? Continue Reading →

You can attend the “must attend” event during CES® 2022 whether you’re going to Las Vegas or working from home. The Shelly Palmer Innovation Series Summit will stream live on January 5, 2022 at 11 a.m. ET at shellypalmer.com/live. Continue Reading →