“A nasty little shocker” was how the TLS described A Clockwork Orange when it was published in 1962. Half a century on, Anthony Burgess joins TS Eliot and Shakespeare in having his work turned into a blockbuster iPad app. Like Faber’s pioneering The Waste Land and The Sonnets apps, A Clockwork Orange (William Heinemann and PopLeaf, £9.99) combines interactive text, archival documents and video and sound recordings in a lavish production that for once warrants the words “unique” and “spectacular” in the press release. Read the full story at The Guardian.