Shelly Palmer

Vendor vs. Solutions Provider

With outsourcing becoming a necessity, it is more important than ever to understand the role of a vendor versus the role of a solutions provider. When is it a good idea to reach out to a vendor, and when are you better off retaining a solutions provider to help you achieve your objectives? Wait. Every vendor says they’re a solutions provider. OK. Let’s say that’s true. (Which it isn’t, BTW.) Are you set up to leverage that resource?

For a solid overview of the issue, have a quick look at The Middle Management Error Vendors Love Most. It is a personal story about a famous director’s request for a blue disco ball. It will make you smile, or cringe… or both.

The short version is that on my first job on a film set, the director asked for a 60″ blue disco ball. An assistant producer ordered one from a vendor. It arrived on time and on budget. For reasons that I shall go into, it was never used.

Told this way, the “Blue Disco Ball” story doesn’t sound like much of a case study. But I can assure you, there are lessons to be learned.

The Vision

In the director’s mind, he saw blue dots dancing on the set. His solution? A 60″ blue disco ball hung out of frame. That would do the trick!

The Meeting

The scene was scheduled to be shot in two days. In a production meeting with his department heads, the director asked for a 60″ blue disco ball.

Three key department heads were missing from this meeting: props, art, and lighting. The three of them were each holding production meetings of their own in different locations. So key people who could have offered high-level solutions were completely out of the loop.

The Vendors

The vendors all came back with similar pricing (including a significant rush charge). The pricing (while inside of the total production budget) was clearly out of line with the value of the purchase. No one said anything except, “When do you need it?”

The Alternative Ending

In the real Blue Disco Ball story, the director threw a temper tantrum about an hour before the prop was scheduled to arrive. The property master (a solutions provider) just happened by in the middle of this tantrum and asked what the fuss was all about.

After listening for a moment, the property master asked the most important question anyone could ask, “What are you trying to accomplish?” The director said he wanted little dots of blue light dancing on the floor. Without missing a beat, the property master picked up the phone and told one of the stagehands to bring up a disco ball. It was there in under five minutes. He told the gaffer put a dark blue gel over the light they were shining on the disco ball and “for free” there were blue dancing dots of light all over the set. The problem was solved by a seasoned pro who knew how to listen, ask the right questions, and get the job done.

The Blue Disco Ball Story Lives On

There are literally hundreds of lessons to be learned from the Blue Disco Ball story. I encourage you to read it. If you have some similar experiences you’d like to share, I’d love to hear from you.

 

My “Blue Disco Ball” Story

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Author’s note: This is not a sponsored post. I am the author of this article and it expresses my own opinions. I am not, nor is my company, receiving compensation for it.